Holly Nadler

A Room of Their Own, Vineyard Retreats Helps Writers Develop

They come from all over the country, staying for one or two weeks or up to a full month. They explore Edgartown from their home base at the former Point Way Inn. Some of them work in their rooms, others find a nesting spot in one of the many elegant downstairs parlors. For dinner they might bring home scallops from the Net Result, ingredients for a pasta Siciliana, and share the meal pot-luck style in the formal dining room, which is two stories high and lit up like a stage set.

 

 

 

Like Ireland in the past two hundred years, and Concord in the mid-19th century, the Vineyard is known for incubating writers. Some of them set their stories right here on the Island. The most illuminating to come down the pike in a long time — perhaps the most illuminating ever — is The Mud of the Place, by Susanna J. Sturgis, published by Speed-of-C Productions, $19.99.

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EMILY POST: Daughter of the Gilded Age, Mistress of American Manners. By Laura Claridge. Random House, New York, N.Y. October 2008. 544 pages. $30 hardcover.

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There are landmarks in an artist’s career. First there’s the initial sale of a piece of work. Then comes inclusion in a group show and, with any luck (and, of course, talent), the solo show. But the crowning glory arrives — often, alas, posthumously — when the artist’s work is presented in the hallowed halls of a museum.

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A couple of years before Tiny Tim tiptoed through the tulips of America’s oddball garden of novelty singers, Mrs. Elva Miller (1907–1997) of southern California sharpened our appetite for the camp pleasure of the over-warbled, excruciating and off-pitch note. Now in the world-premiere of Mrs. Miller Does Her Thing at the Vineyard Playhouse, Pulitzer Prize-winning Broadway director and writer James Lapine brings us the story of the rise and fall of this songstress and, well, the truth must be told: laughingstock.

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