Call them critics-in-training. Children go behind the camera, videotaping kids' reactions to films.

It took the Martha’s Vineyard Film Festival about three years to get into the casual character it has enjoyed for the past seven. In the first year, a black and white printout distributed the day before the Grange Hall screenings announced a one-day program consisting of a collection of shorts, a few features and some ethnic food. The next year, a move to the Katharine Cornell Theatre in Vineyard Haven eliminated the food; eating wasn’t allowed at the site, so the festival moved again.

Island Cineastes Start New Season

Richard Paradise was named 2009’s best regional film festival director at last month’s International Film Festival Summit in Las Vegas. In an Oscar-speech moment with the Gazette, he shared his glory with Island filmgoers: “The success of the festival, the regional coverage, the volunteership, and the exploration of other cultures ... the Vineyard audience contributes.”

In the disturbing yet vital film Taxi to the Dark Side, Army Specialist Damien Corsetti, one of six interrogators who confessed to torturing and killing an innocent taxi driver at the Bagram Air Force Base in Afghanistan in 2002, stoically peers into the camera and tries to justify his actions.

“When you look at people as less than human, you find yourself doing unthinkable things,” Mr. Corsetti says of his role in the death of Dilawar, the young Afghani wrongly accused of being the trigger man in a rocket attack.