Daily newspapers shuttered. Radio and TV networks swimming in red ink. Reporters and editors enduring widespread buyouts and layoffs.

This was the landscape of the news business that Boston University professor Christopher B. Daly confronted as he began researching the history of American journalism about eight years ago. It occurred to him that he just might end up having to write the obituary of American journalism.

Excerpted from Bountiful: A History of the Martha’s Vineyard Agricultural Society and the Livestock Show and Fair, by Susan Klein, with photographs by Alan Brigish (Martha’s Vineyard Agricultural Society, 2012).

This excerpt is taken from chapter 9 which tells the story of the midway and how it came to play an integral part of the annual Island tradition.

“My favorite was the Scrambler! It was really fun!”

— Dylan Biggs, 7 years of age

Pulitzer prize-winning poet Jorie Graham has been coming to the Vineyard for thirty years. She often derives inspiration from the natural beauty of the Island.

“Perhaps my poems, if I am lucky, can awaken in [readers] a renewed relationship with the natural world which they can take with them into their lives...” she said.

How does one end up writing a book about a star child? For that matter, what is a star child?

Author Kay Goldstein was wondering the same thing a few years ago when she started writing the first pages of her newly released novel, Star Child, a process which caused her to delve into the depths of human experience.

When Charles McGrath wrote about the annual Island Cup game between the Martha’s Vineyard and Nantucket football teams for the New Yorker in 1984, he likened it to a fierce sibling rivalry. What mainland team could hope to drum up a rivalry as poignant with either of the Island squads? For all that the Vineyarders can’t stand about the Whalers, they also know that the only football team in the entire country that could possibly understand what it means to be an Islander is that of their brother-in-isolation, Nantucket.